She’s left the inner garden.
Here, though, she slows, her smile
recalling old reversals and raising briefly the prospect of shade’s
shedding its clothes, and being morning again,
naked in the flowers.
She’s left the inner garden.
Here, though, she slows, her smile
recalling old reversals and raising briefly the prospect of shade’s
shedding its clothes, and being morning again,
naked in the flowers.

Door ajar, near
is love’s fear
in safety’s cage

Detail, Abraham with Three Angels by Pieter Lastman, 1623. Hermitage Amsterdam.

They are chatting. He pats him
on the shoulder. He is cold.
They walk away.
She is sitting scrolling. No
one bothers her and she does not
bother them. She has many,
family and friends, who love her.
And she loves them.
People are shopping, not stealing.
They want to look good and want
something nice for their children.
They are not blowing up buildings
or running cars into people.
They are just trying their best
as almost everyone always does,
as here the frost melts
and sheep eat grass
in a place where it already has.

The other way than backward
proceeds surely
once I’ve turned
from dusk to Sanctus
and her silent
petulant flowers

You won’t be passing out stones
or scorpions or wasps on the other side
of apples. You won’t be not holding
the ladder when he climbs,
or not looking when she crosses.
You’ll not wonder when you should know,
for you’ll know, though you’d rather not.
You’ll know and do what you should do
because you are who you are,
the man, at last, you were meant to be.