To our naked landlord, seller of cuckoo clocks

You were the first Dutchman I ever knew

and now I live among your kind, your

fishers and swallowers, ripping up

what they’ve built, running water where

they drained it forty years before,

legal and illegal-

izing their drugs, and letting

the masses in, though not really.

When I was ten I’d have told you,

there treading water in our mud hole,

that I knew a better way –

USA! USA! –

which won the big one

when the chips were down

(mostly) –

but even then, clothed and correct,

I’d have had to concede,

amid blown-out lives

(neighborhoods, brains, gutters…)

that maybe the promised promise

wasn’t always delivered.

So where does that leave us

(Are you dead?)

now I’m in your country

and you’re in mine?

How bout  we split the difference?

You grant me my mountain-prairie-

can-do horizon,

and I you your genius architecture

and painter sky.

Each can keep the people he’s with.

(They’re about the same.)

You’ll not find me, though,

swimming  in no hole.

And those cuckoo clocks you keep for yourself.

Fairfield with Neil Welliver

“On one occasion we were walking in silence and Fairfield said suddenly, ‘You know you use too much green in your painting.’ I said, ‘Fairfield, that’s the dumbest thing I’ve ever heard you say. We are standing in an envelope of green! There is green above and below, left and right, in front and in back of us.’ Fairfield looked all around intensely, then said, ‘You’re right: you probably don’t use enough green.'”

Quoted in Fairfield Porter: An American Classic, by John T. Spike