A question-mark of flowers
circles the tree.
The gardener could not
help but ask.
A question-mark of flowers
circles the tree.
The gardener could not
help but ask.
As I dress she asks,
Another day at the
wood-chopping farm?
And yes, it does begin
in a kind of wood
where trees pose a problem,
physically or metaphorically,
and you wouldn’t want one
landing wrong in either case.
My chopping, of course,
being but a form of bewilderment,
won’t bring one down, but
you’re right to note, dear,
my attire would well serve
the man who could.
How is it to hunger
for words others can’t say?
They can’t say them
for they wouldn’t be true,
and who doesn’t bleed
for a bit of integrity?
But they want to say them,
to fill the hunger.
Thus does one hunger beget
another, and eventually
a famine.
I’m on fire and swimming in a pool.
I’m swimming underwater and still on fire.
But nothing burns
but me
Can I make out of words
what I wanted to get on film?
Ten seconds of the freight train
rumbling by?
And a boy biking,
his pedal striking
the kickstand loose
and useless?
Won’t there be endless
progress into the past
and won’t we find there
everyone no one
ever heard of,
and won’t they stand
and flourish finally,
just as they’d hoped?
Christ to death
while the guilty man goes free.
And a white-hot freedom it is –
one better left alone.
Better to putter behind
shades and abstractions,
to sleep the many sleeps
that bring us our own.
Your light is flooding this tract.
It has soaked the grass
and risen up through the brush
to fill the trees.
And so we must flee.
We climb the trees to await
boats of darkness
that will take us to caverns
cool and
covered with moss.
Where we’ll wait, to see what You do.
No, don’t look back
Don’t long for it
Don’t stand dry with memory
in a future made of wind
How can I help but reduce you?
Even now I’ve no line
to show you’re more
than I can see or say.
So stay, please,
and forgive me.
Forgive and watch
these passing fields,
and be the same
old friend to me.